India –Books
New Delhi
The “Private” has
touched down Indian shore in Mumbai. Creator and popular whodunit writer James
Patterson, of the iconic Alex Cross and the Private investigation series, is readying
to unveil “Private India” together with co-writer Ashwin Sanghi to the delight
of the millions of private fans in India. It is the eighth book in the Private
series that features a cross-cultural cast of writers and characters with
Patterson in the country the writer takes it to. The book has been published by Random
House-India and Cornerstone.
Sanghi, one of the
leading contemporary historical thriller writers in the country, worked around the
plot for more than four months to create an Indian “Private” Santosh Wagh, an
ex-Raw agent to lead Jack Morgan’s crew in India team.
“The only common
figure across all the Private novels is Jack Morgan. All the characters have
been developed from scratch for Private India. The central character is Santosh
Wagh, a battle weary ex-RAW agent who is the lead investigator. Dark and
brooding, Santosh has many secrets hidden inside of him. Fleshing out the character
was the most interesting part and the most challenging…,” Patterson’s co-writer
Ashwin Sanghi told this writer in an interview.
Private, comment
readers and critic, is Patterson’s answer to Agatha Christie’s Hercules Poirot.
The thriller mastermind, who had made it to the New York Times best-seller list
with his titles like “The Thomas Berryman Number”, “Kiss the Girls” and “Along
Came a Spider (of the Alex Cross series portrayed by Mogan Freeman onscreen)”
created the “Private” series for international readers in the decade of the
2000 (around 2010) to bring a slice of
adult spy games to young adult readers. The books spin their tales around the
central character Jack Morgan, who runs the private detective agency with
branches all over the globe. Patterson entrusts his Private team with the
secrets of the most influential men and women on earth – who came to him
regularly to use the “world’s most advanced forensic tools of trade to crack
their cases”. Jack, an intelligent tracker, however, has a knack for courting romantic
troubles. But he manages to stay above board with his instincts of survival and
quick thinking.
Private cruises around
the world with a cross-over crew of co-writers and different lead investigators
in a quaint “international cultural kinship over forensics”. In “Private LA”,
Morgan investigates the disappearance of the biggest superstar couple in Hollywood
while in the “Private # 1 Suspect”, Morgan withdraws all his resources which he
was using to probe NFL gambling scandal and the mysterious murder of 18 school
girls to investigate the “murder of his
former lover, his best friend’s wife, who is found murdered on his bed”.
Morgan becomes the
prime police suspect. Patterson connects the three conflicting stories for a
final denouement as Morgan goes after the killer of the former lover. They are bound
by a thread. In Private Berlin and Private London, Morgan’s crew traces a
missing Private agent in Berlin and an unknown terror stalking a American
student in London respectively. Private Games takes a look at the safety of the
2012 London Olympics hosting participants from more than 200 countries where
Morgan’s team is assigned to security services.
“This series is about
a global detective agency which is called to solve cases that baffle the police,”
Sanghi said. One of the striking characteristics of the series is the local-global
collaboration – Patterson tries to requisition one local writer from the
country he is writing about to give his readers an experience of international
thrillers. He rarely takes geography into account o create solidarity between writers
and readers of the thriller genre that is often denounced as “inferior” compared
to literary and mass fiction.
“Patterson has co-authored
all the books in the Private series so far – like Private London with Mark Pearson,
Private # 1 Suspect with Maxine Paetro, Private Berlin with Mark Sullivan and Private
Oz with Michael White. All the books
have deadly criminals being tracked down by Jack Morgan’s team in different
parts of the world,” Sanghi said. Private India is an extension of that
extension of that franchise in India. The story is set in Mumbai – and “attempts
to convey the full impact of the maximum city through Bollywood, the mafia, godman,
politics and business tycoons”.
The collaboration
between award winning writer Sanghi and a internationally-feted Patterson
happened early last year when one of Sanghi’s friend, who works in Random House
India, recommended “his name to a colleague who was handling Patterson’s
account after reading all three of his books, “Rozabal Line”, “Chanakya’s Chant”
and the “Krishna Key”. The books are thrillers in the historical and political
genres in what has been described by critics as a cross between Dan Brown, Sherlock
Holmes and several western masters of the genre in an Indian framework.
“The fact that all my
previous three titles were thrillers with short chapters, compelling pace and
unexpected hooks every few pages – traits that are amply visible in James Patterson’s
writing – the fit was a natural one,” Sanghi said.
The two discussed the issues involved for about
a couple of weeks and topped it off with a signed agreement rather quickly. “The
process of collaborating was a new one for me. James provided a guideline as
well as an existing set of international characters that need to be woven into
my story. Using his guideline, I developed the plot outline. We discussed the
outline in detail and froze it after amendments. I then proceed to write the
first draft while James wrote the final draft. All this happened with periodic
interactions over email. Once both James and I were done with the story, the
editors at Random House took over. Working with James has been a refreshing
experience. My focus has always been on research and plot while the Patterson
formula is pace and character. This book has given us a chance to combine our
respective strengths,” Sanghi pointed out.
Writing thrillers is not only about inspiration
and imagination but also about craft, Private India’s co-author said. “There
are a few simple rules that make a good thriller: amplify character traits—make
them larger than life; eliminate fluff; build twists and suspense ever so
often; never compromise pace; build conflict until the very end. Achieve these
few objectives and you should have a delicious thriller. There are some
chapters in this book that are just about a paragraph long. It stems from the
Patterson style of saying absolutely nothing that does not advance the plot.
That is the key take away from this collaboration: less is more,” Sanghi said.
With his previous
titles (which were thrillers in the mythological or historical genre) the
suspense, mystery and thrill emerged from a piece of research, a historical
nugget or a hitherto unexplained theological connection. “Private India on the
other hand is a purely contemporary crime thriller and hence the need to stay
true to the craft,” the writer explained.
Indians have had a long tradition of
storytelling but for many thousands of years this tradition was oral rather
than written. Wandering bards would weave stories while sitting under trees in
the villages and these stories would be passed down from one generation to the
next, Sanghi said. “Narrating a story necessitates the use of extra words and
sentences to prolong the suspense. That particular sensibility still prevails
in our writing. Look at Indian architecture… usually it's a delightful riot of
arches, pillars, colors and materials. Contrast that with western architecture
that is increasingly about straight lines and minimalism. The comparison
between Indian commercial fiction writing and western genre fiction is similar.
I always joke… to become a good paperback writer, start by penning Haikus!”
Sanghi was familiar with Patterson's work having
been a big fan of his Alex Cross novels. However, he read some of his Private
novels before getting to work on Private India as his homework. “The ones that
I read included Private Berlin, Private Games, Private London and Private No.1
Suspect. I wanted to get a sense of Jack Morgan's character as well as the
workings of the fictional 'Private' detective agency. I then spent around four
months writing the plot outline (it was one of the most detailed outlines that
I have ever written). The time spent on the plot outline included research into
Mumbai and the police department. I also had several long interactions with a
private investigator, who operates in Mumbai,” the writer said, throwing light on
the preparation and the process of building the characters and the narrative of
the thriller.
“I had to get an authentic feel of Mumbai as the
city on the edge like any other western megapolis,” Sanghi said.
Defending the need for the collaboration and underscoring
its importance in the growing Indian publishing, Sanghi said commercial writing
in general did not take off primarily because of “our snobbish attitude towards
commercial writing”.
“Most Indian authors were busy churning out
literary fiction and publishers continued actively searching for the next
Salman Rushdie, Arundhati Roy, Amitav Ghosh, or Jhumpa Lahiri. They could hardly
be bothered with finding the Indian equivalent of Robert Ludlum, Frederick
Forsyth, Jack Higgins, or Tom Clancy! Satyajit Ray would not have given us Felu
da if an Indian market for mysteries,
suspense, adventure and thrillers did not exist. It’s sad that we allowed
ourselves to cede space to foreign authors in these genres. I’m happy to see
that this is changing rapidly now. We should have our own versions of Miss
Marple, Nancy Drew, Hardy Boys, Sherlock Holmes, and Hercule Poirot!,” Sanghi
said.
The order of mergers and collaborations in the intellectual
markets has just taken another new stride with Sanghi and Patterson marrying their
quills. The Hollywood-Bollywood days have arrived in mass publishing.
-Madhusree Chatterjee
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