India-South Asia/Literature
New Delhi
The Himalayan kingdom
of Bhutan is gearing up to roll out a royal welcome to more than 50 well-known writers,
thinkers, artists and scholars in Thimpu — the capital city — from May 22-24 (2014)
to celebrate world and south Asian literature, and taking in the process a decisive
leap in terms of status and number of participants at the festival.
The literary gala will
pack back-to-back intellectual discourses over three days to understand the literary,
cultural and social forces shaping the South Asian region as a regional soft
power bloc to make an impact on Asia and the rest of the world.
The festival that
began on a modest scale five years ago to foster regional cultural
understanding as an initiative of the India-Bhutan Foundation and a non-profit organization
Siyahi under the patronage of the Queen Mother Ashi Dorji Wangmo Wangchuck —
with the support of Taj Tashi — has expanded its literary canvas to include personalities
not only from Bhutan and India, but from around the world as well. However, the
focus of the festival remains Bhutanese literature and exchanges between Bhutan
and India.
The festival this year
will be sponsored by Usha International for the second time in a row.
The fifth edition of
the festival will cast the spotlight on the easily relatable aspects of
literature like popular fiction, democracy and civil society — a topic that
assumes significance in the country given the fact that its democracy is still
not a decade old — travel, cities, human-animal conflict, animist beliefs,
crime and thriller writing.
Democracy in Bhutan,
which is still a country in transition, is an overarching occupation at every stratum
of the civil society, being discoursed in rural and urban segments alike by the
commoners, intellectuals, the government machinery and the royalty. It has led
to a new inclusivity in arts and culture with literature mirroring the issues
of Bhutan at the cusp of change — poised on the crossroad between democracy, a facilitating
monarchy and freedom. The country, however, strives to maintain a pragmatic
balance between its traditional Buddhist society and modernism.
The first democratic
elections in Bhutan were held in 2007 and by 2011, every level of the
government had been democratically elected.
If literature is the
mainstay of the festival, culture will form its usual scaffolding like in all
the previous years. The festival will include an elaborate cultural package of
movies like “Bhutan Women Forward” by Kesang Chuki Dorjee, “The Red Door” by Tashi
Gyetlsen, “Finding Happiness” by Ted Nicolaou and the “The Yak Herder’s Son” by
Tshering Tempa.
Art, an integral part
of the festival, will move from core conventions of traditional visuals to crafts
based traditions of the nation to display showcases of “Bhutanese Textiles in
High Fashion Tahgzo”, the “Textile Weaves of Bhutan” and “Contemporary Bhutanese
and Japanese art”.
The live performances
will present snapshots of the emerging popular young culture of Bhutan — with
performances by bands like The Baby Boomers, The Daydream Farmers, Poisoned Apple
and Zhaw. The collateral events will include workshops on alternative creative arts
like crime writing, high-end cuisine, leadership and dream interpretation, the festival
directors said.
Live music and dance, observers
said, are the new mascots of liberal expression in Bhutan. In 2013, the fourth
edition of Mountain Echoes coincided with “marathon western dance and music carnivals”
in the capital in a stimulating mix of high literature and mass culture- echoing across the misty mountain peaks and Buddhist shrines that cling to the slopes flanking the Thimpu river.
The festival
which makes it to the tourism calendar of the mountain state is gradually visitors
from across the world. Summers are usually the bustle time of Bhutan’s tourism
itinerary.
The festival, for the
first time, is being steered by a joint panel of directors from India and
Bhutan, including Namita Gokhale, Pramode Kumar KG, Kunzang Choden and Siok
Sian Dorji— a commitment that the founding members of the festival had made to
Bhutan the year it was inaugurated.
“Mountain Echoes is for
the people of Bhutan. We just helped set it up — played the big brother in the
region with more resources than the neighbours,” an Indian observer at the 2013
edition of the festival had told this writer.
Over the last five
years, Bhutan had been riding on its nascent wave of democracy and pushing its
cultural frontiers to forge strategic soft partnerships with neighours. India’s
bilateral goodwill and “free cultural spirit” have encouraged the country to spread
its wings. The festival’s chief sponsor, Queen Mother Ashi Dorji Wangmo
Wangchuck, a writer of repute, shares “deep” roots with India — a country where
she went to school as a young woman in Darjeeling.
At the festival in
2013, she had said, “the elected government would take the government to new
development and cultural heights”. It was endorsed by Prime Minister Tshering
Tobgay. The roster of the 2014 edition
of the Mountain Echoes is a testimony to the change and the “wider scope” —
held out as a promise last year.
The speakers list
Queen Mother Ashi Dorji
Wangmo WangchuckAdvaita Kala
Alka Pandey
Ani Kinley
Anuja Chauhan
Arshia Sattar
Ashok Vajpeyi
Christopher C Doyle
Dago Tshering
Damchu Llendup
Dasho Kinley Dorji
Dipankar Gupta
Dolma C Roder
Dorji Gyeltshen Shejun
Dr. Lopen Karma Phuntsho
Florence Noiville
Gavin Francis
Ira Pande
Karma Choden
Karma Tenzin 'Yongba'
Kesang Chuki Dorjee
Kjell Ola Dahl
Kunzang Choden
Lily Wangchuk
Lopen Lungtaen Gyatso
Malvika Singh
Manju Wakhley
Marie Venø Thesbjerg
Namgay Zam
Namita Gokhale
Navtej Sarna
Passang Passu Tshering
Pavan K Varma
Pramod Kumar KG
Rashna Imhasly Gandhy
Rebecca Pradhan
Robert Yeo
Sangay Wangchuk
Siddharth Shriram
Siok Sian Dorji
Somnath Batabyal
Sonam Jatso
Sonam Kinga
Sonam Wangchuk
Sonia Khurana
Sujeev Shakya
Tang Gup Thinley Namgyel
Tashi Chewang
Tashi Gyeltshen
Umesh Anand
Yeshey Dorji
Yoko Ishigami
-Madhusree Chatterjee
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